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What Songwriters Want To Know
Q&A with the Pro's

With more than 150 questions answered by professional songwriters, this is one of the "meatiest" sections on Lyrical Line! Each page highlights ten questions that link to the answers below.

Mary Dawson has joined our Q&A sessions. She is the host of I Write The Songs, the radio show found exclusively online on Lyrical Line. She is also the President of CQK Records & Music.

Ask a question of your own. Please be sure it hasn't been answered below already before submitting.


Page 18:

 
171 Promoting material through my own label
172 Do I have to know the title before I write the song?
173 You have know good grammar
174 Finding a music collaborator
175 Australia songwriter sending music to Nashville
176 First steps after writing a song
177 Puttings lyrics to music
178 I'm published and looking for a publishing deal
179 Songwriting is a mind-racking experience!
180 Looking for a listing of song publishers

Page 1 - Page 2 - Page 3 - Page 4 - Page 5 - Page 6 - Page 7 - Page 8 - Page 9 - Page 10 - Page 11 - Page 12 - Page 13 - Page 14 - Page 15 - Page 16 - Page 17 - Page 18 - Page 19


 

171 Promoting material through my own label

QUESTION:

I wanted to know if you could tell me how I can promote my material when I make my own record company.

ANSWER (by Mary Dawson):

Mike, your question would literally require several volumes to answer. Creating your own record company is one subject that requires LOTS of study and insight to accomplish. Beyond that, promoting a recording well is yet another whole "course" in Music University! In a nutshell, however, my advice is that you "grow into business" instead of "go into business." Start by becoming the absolute best songwriter you can become. Educate yourself by reading LOTS of great books on the subject. Your email indicated that you have only read one book on songwriting -- the title of which you can't remember. I would suggest as a first step that you take a leisurely afternoon and go down to your local bookseller. Buy a cup of coffee and browse through the section on songwriting. You'll find some great books that will get you started in your education -- like John Braheny's "The Craft and Business of Songwriting" from Writers Digest or Jason Blume's book, "Six Steps to Songwriting Success" (Billboard Books). Then, find where your local songwriters association meets and go join up.Go to lots of seminars and workshops and keep learning all the time. Learn the vocabulary of a professional, business-savvy songwriter. Start networking and getting your songs recorded and performed on a local level. As you become known and respected in one circle, you will find that other circles will learn about you and your credibility and professionalism will increase.When and if the next step for you involves starting your own company, you will know it and you will have the expertise necessary to do it right. Please visit my website for further resources for songwriters at http://www.cqkmusic.com/resources .


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172 Do I have to know the title before I write the song?

QUESTION:

I am a lyricist. My question is: should I know my title first before I start writing lyrics or can I start writing lyrics and add the title later.

ANSWER (by Mary Dawson):

The absolutely most important ingredient in writing a song is a GREAT IDEA! The next most important thing is to find a "HOOK" to hang the idea on. The hook is the thesis statement of the song and summarizes the great idea in one phrase. The hook is usually also the title of the song. Of course, you CAN write a song by adding the title AFTER the lyrics are written, but -- in my opinion -- that is sort of like walking backward. You CAN get to where you are going, but it is a lot more awkward and you may fall in a hole! The hook or the title should shine out like a diamond on the velvet background of the verses. EVERYTHING in the song should point toward the hook and help to bring it into focus for the listener. I would suggest that you try to discipline yourself to write your song around the title or hook rather than the other way around. Of course, there are always exceptions to every rule, but it is best to train yourself to instinctively focus on the core idea -- that is what you are trying to communicate to the listener and what you want them to remember above everything else.

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173 You have know good grammar

QUESTION:

I am a lyricist. I am reading books about this and feel they are helpful. However, I am confused when they tell me to use a noun or pronoun or verb or whatever. Should I just write what I feel on a rough draft and worry about the verb stuff for rewriting?

ANSWER (by Mary Dawson):

I realize that when you begin writing, sometimes you should just let your mind "freeflow" and creatively write down everything that comes to mind on the subject of your song. In the freeflow phase, it is not essential to be completely grammatically correct -- it is just a brainstorming exercise and is designed to stimulate your creativity. HOWEVER... If you are a lyricist, your major commodity is language!! If you want to be considered a "professional" lyricist, you MUST learn the proper use of the parts of speech! You need to be as adept and proficient with words as any other professional is with his/her tools. Imagine a doctor saying to his staff, "I am sort of confused about what all these surgical instruments are for. Should I just use what I feel is right and worry about which instrument it is later?" Would you want that doctor operating on you? I think not! A true lyricist LOVES words and is interested in learning to use them well! Discipline yourself to learn good grammar and parts of speech and you will only expand your creativity and credibility as a professional songwriter.
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174 Finding a music collaborator

QUESTION:

How do I go about finding a music collaborator for the lyrics I have written?

ANSWER (by Mary Dawson):

This question is THE MOST FREQUENTLY ASKED QUESTION of any I receive. I know I have answered it many times, but here goes again! If we as songwriters are supposed to be "creative" individuals, I think we need to be just as creative in finding answers to questions like this one as we are in writing our songs in the first place. If you needed to find a reputable mechanic, how would you find one? You would know that there are good mechanics all over the country so you would probably look in the phone book for one near you -- not on the other side of the country. If you still needed some help, you would probably ask around....ask your neighbors and friends....especially those people who have lived in your area for a while and who know something about automobiles.

The same logic applies n finding a co-writer. There are great musicians and lyricists living in every city and town in the country. The first thing to do is get the phone book and look up your local songwriter's association. I can't stress the importance of that too much! Great songwriters tend to find each other and get together from time to time to share their common interests. Somewhere near you there is a group of such people. If you can't find them in the phone book, ask around like you would do for a mechanic. Ask people who are knowledgeable about music -- the staff at a music store, in a college music department or even in a church music department. Let it be known that you are a songwriter and that you are looking for a collaborator. If you have not collaborated before, it will be so much better to work with someone in your area rather than to try to find someone in a distant location. You will learn volumes and make long-lasting friends. Once you have some completed songs -- with both words and music -- you will have something that you can pitch to artists or take to the next level. Don't overlook the obvious. There are opportunities for collaboration everywhere!! Best of Luck!



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175 Australia songwriter sending music to Nashville

QUESTION:

I'm a part of a song writing team in Australia. We write country music. Could you please tell me how you find out what artists are looking for material so we know where to submit them to. We are looking to send material into Nashville. We have no problem writing the material but are banging our heads against the wall not knowing where to send them to.

ANSWER (by Mary Dawson):

It is extremely hard to gain a hearing for your material in Nashville without having some personal contacts there. My first suggestion would be to watch for Country Music artists who are on tour in Australia. Contact the venue where they will be appearing and try to get the name of someone in the artist's entourage. Make an appointment (be sure to make it brief) and introduce yourself. Bring a professional looking package containing your best songs and leave it with the person. Try to get an address and email address for that individual. One personal contact is worth 1000 unsolicited packets since the Music Business is largely built on "who you know." Another thing to consider is actually making a trip to Nashville. Watch for cheap tickets and make the investment. But before you do, be sure you have set up appointments by mail or email with publishers, so that someone will see you when you get there. And before you make that costly investment of flying half-way around the world, BE SURE your songs are up to Nashville standards and are extremely well-crafted. You only have one chance to make a first impression. Don't blow it before your songs have become as great as they can be!! If you are not sure as to whether or not your songs are up to standard, find a consultant or song critique service that will give you an objective and unbiased evaluation of your song. There are also several publications that can help you make contacts and know who is recording at the moment and who is looking for material. One of the best of these is Song Link (just go to www.songlink.com for information on how to subscribe). Song Link is quite pricey, but you have to make a financial investment if you want to get anywhere. I also have a manual that will give you more information and tips on the process of getting your song into the right hands. Please visit my website at http://www.cqkmusic.com and click on Songwriter's Resource. The manual, "How to Get Somewhere in the Music Business from Nowhere with Nothing" will be of special help to you. Good Luck!!

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176 First steps after writing a song

QUESTION:

I enjoy writing and have recently written a few songs that I was told I should market.

The problem is that although I am interested in marketing these songs; I am not so musically inclined and do not know anyone who can help.

Also; I do not have the money or the resources to even begin to make a demo. Any advice?

 

ANSWER (by Mary Dawson):

I think that the first thing you need to decide is how seriously you want to pursue songwriting. There is nothing wrong with simply writing as a hobby or for your own enjoyment. But if you hope to see your writing go to a new level and you want to start marketing your songs, you will need to do the corresponding work and make the necessary investments to make that goal become a reality. Many aspiring songwriters and artists have what I like to call the "Destiny Fantasy" -- in other words...

"If it is my karma or my destiny to make it in music, I will not have to do anything more than just be talented. Somewhere, somehow I will be discovered."

Somehow many people think that because the goal is "music" (which is an entertainment medium), it will not require the effort and education that other professions and businesses require. Nothing could be further from the truth! Music -- as any other field of expertise -- requires education, networking, practical business savvy and plenty of effort! As the old saying goes, "The harder I work, the luckier I get!"

If you want to be a songwriter, but are not "musically inclined"... then you either need to start educating yourself in music or you need to find people who can help you with the music part of the craft. Again... I can't stress too strongly the importance of joining your local songwriters' association. There you will meet fellow writers with all kinds of talent and local connections who will be able to help you with the next step in your journey -- whether that is co-writing, finding out about seminars and workshops to help you learn, or doing the necessary demos of your songs. You may need to take some courses... and surely, you will need to do some reading on the subject of songwriting -- both the craft and the business aspects.

You will also need to make some financial investments in your goal. If you want a college degree, you can't expect to get one for "free." You will have to pay the tuition, buy the books and do the study necessary to get your diploma. The same logic applies to songwriting... if you need demos to accomplish your songwriting goals, you will need to start making some money that you can invest in that part of the process. You may need to purchase and learn how to use some computer software or home recording equipment yourself. You don't have to necessarily make a huge expenditure all at once, but you MUST be willing to "put your money where your mouth is" and actually make the financial commitment necessary to accomplish what you say you hope to do.

Again, it all goes back to determining what you REALLY want out of your songwriting.If you are serious about marketing or promoting your songs, you must be serious enough to do the work and make the financial commitments that it will require!



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177 Puttings lyrics to music

QUESTION:

I write the words and I can put the words in a song order but I can't figure out how to write the notes. I know how to read notes, but I can't figure out how to put notes with my songs.

ANSWER (by Mary Dawson):

I'm not sure exactly what you are asking in this question. My guess is that you are able to compose the melody and lyrics to your song, but are not able to actually write the song down on music paper. If this is what you are asking, I have good news. Most publishers or music industry professionals do not need you to submit your songs in written fashion. Most expect a neat, typed lyric sheet and a clear clean demo of the song being performed -- either on cassette or CD. In fact, most music professionals would prefer that you NOT send in a "lead" sheet (melody written on music paper with chords notated above).

However, if your question is that you cannot write the music for your lyrics, then you have a problem. You either need to do some study of music and music theory that will help you with composition...or you need to find a musician who can collaborate with you and set your lyrics to music. One great book to help you learn to write great music is "Writing Music for Hit Songs" by Jai Josefs. Jai explores the craft of writing hit melodies and gives actual exercises for helping you to apply the principles he teaches.

Keep stretching yourself. Keep learning. Keep writing!!



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178

I'm published and looking for a publishing deal

QUESTION:

I am a published singer/songwriter. I have had several top 40 hits on the Billboard charts as an artist as well as songwriter. I am interested in procuring a publishing deal and would like your advice on how to approach it.

ANSWER (by Mary Dawson):

I'm afraid that to answer your question in the most helpful manner I would have to find out more background on you and your music. For instance, what styles of songs do you write? Which publishers have published your songs up to this point? What KIND of "publishing deal" are you looking to obtain?

One thing that your question illustrates is the fact that just because a songwriter may have some success with several hit songs, it doesn't necessarily mean that you become a "household name" overnight or that all your problems are solved in relationship to the publishing issue. My first advice to you would be to become extremely knowledgeable about music publishing yourself. Do lots of reading on the subject. There are a couple of great books from Writers Digest Books that would be excellent for you to have as reference books. The first is "The Craft and Business of Songwriting" by John Braheny. The second is called "Music Publishing, A Songwriter's Guide, Revised" by Randy Poe. If you have had some hits on the Top 40, you should be at a fairly strong advantage in negotiating a very good publishing agreement -- perhaps even to start your own publishing company and then co-publish with a larger publisher. The most important thing is to become educated on the various possibilities that exist for you and then to determine what it is that you want.

After you have educated yourself, you need to start networking -- making a list of all the contacts you already have in the business and then beginning to establish relationships that will lead you to the companies that you wish to work with. If you do not live in one of the major music cities, I would highly suggest that you be making regular trips to LA, New York and Nashville to visit your contacts and to make new ones.

Also, I would suggest that you put together a resume and portfolio of your work that is extremely sharp and professional. You have achieved some remarkable successes. You need to make people aware of them and spotlight them. As my husband says, "It's a pretty poor dog that won't wag his own tail."

I hope some of these suggestions will be of help. Please stay in touch and let us know how things go.



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179 Songwriting is a mind-racking experience!

QUESTION:

Is writing lyrics meant to be such a painful, mind racking experience. Should I try harder, or just let the thoughts come to me instead of trying to find them?

ANSWER (by Mary Dawson):

Songwriting should never be a "painful, mind racking experience." It should be something you LOVE to do -- in fact, most true songwriters love the process so much they CAN'T stop writing even if they try. There is a difference, however, between "painful and mind racking" and simply "challenging." Writing either lyrics or music should always be challenging. We should always be pushing ourselves to write a little better and more creatively than our last best effort. But the "challenge" should not be painful -- it should be part of the fun.

I would suggest that you do some study of great lyrics and lyricists... writers like Jimmy Webb, Don Henley, James Taylor, Marilyn Bergman etc. Stimulate your creativity by studying the "masters at work." Read lots of great books on lyric writing like all the Sheila Davis books from Writers Digest ("The Craft of Lyric Writing," "Successful Lyric Writing" and "The Songwriter's Idea Book"). Also, Pat Pattison's book "Writing Better Lyrics" also fromWriters Digest. Work through some of the exercises that these authors and instructors give for aspiring lyricists. The better you know the tools of the trade -- rhyme, cadence, song form, assonance, alliteration, prosody etc. -- the more fun lyric writing will be.

There is one other possibility and that is that writing lyrics is just not your strength. You may be much stronger as a musician and composer. In that case, consider collaborating with someone for whom lyrics may come much easier and who has a natural gift for lyric crafting. I hope you are a member of your local songwriters' association since that is such a wonderful resource for introducing you to other writers with varying gifts and skills.

When writing ceases to be a passion and something you love to do, it is time to do some serious stock-taking and find out what is wrong. Creating a song should be one of the greatest experiences of your life!


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180 Looking for a listing of song publishers

QUESTION:

Where can I find a listing (names & address) of song Publishers to submit my songs to?

ANSWER (by Mary Dawson):

There are several great resources to help you locate the names and addresses of publishers and music professionals who can make something happen with your song. The first is The Songwriter's Market which is published each year by Writers Digest. It is available in any book retailer.

There are also several very good registries that you may purchase that will give the information you are looking for:

The Musicians Atlas -- a more general directory giving contact information for many major and independent record labels, publishers and distributors. You can find out the details at http://www.musiciansatlas.com .

The Pollstar Record Company Roster -- published twice a year and quite complete. Visit their website for details at http://www.pollstar.com .

Publisher Registry -- Published by The Music Business Registry, Inc. This is the most complete of the registries and the one used by Music Professionals. Visit their website for full details at http://www.musicregistry.com .

The above registries vary in price from $19.95 to $75.00 per issue. They are a bit pricey, but well worth the investment.

 




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